
Via her website.

Professor Diane M. Quinn
The Windsor (Ontario) Star reports here on a psychological study by Professor Diane Quinn (Psychology, UConn) and others of the impact on women’s behavior of visual assessments (aka, getting “checked out”):
Though it’s impossible to know the weight of a stare, scientists now have a good idea of its crushing force — in particular, on women who think they’re being sexually objectified.
In experiments with more than 200 people, researchers discovered that when a female believes her body is being sized up by a male, she’ll diminish her presence by speaking less. When a male believes a female is eyeing his physique, however, no such effect occurs.
The study, published this month in the journal Psychological Science, explains that our culture has so taught women that they’re judged on appearance that they’ve come to evaluate themselves that way, ultimately self-objectifying.
“Women actually become object-like in that they stop talking and expressing themselves,” says study co-author Diane Quinn, associate professor of psychology at the University of Connecticut.
Study participants were given two minutes to introduce themselves via closed-circuit camera to an unseen partner, with researchers explaining that they’d be filmed in one of three conditions: audio only, from the neck up, or from the neck down, and all under the pretext of a communication exercise that examined social interaction through the lens of facial expressions, body gestures and vocal cues.
In the body-focused condition, women talked, on average, for just 84.9 seconds when they thought their partner was male, but for the near-full 111.9 seconds when told their partner was female. Researchers note that this shows “it was a male’s gaze, and not simply any gaze, that affected women’s presence.”
By contrast, men subjected to having their bodies filmed reduced their talk-time, on average, by just one second — from 117.8 to 116.8 — when they thought their partner was of the opposite sex.
The results of the full study are described in the paper by Tamar Saguy, Diane M. Quinn, John F. Dovidio and Felicia Pratto, “Interacting Like a Body: Objectification Can Lead Women to Narrow Their Presence in Social Interactions.” The paper is available here in PDF.
H/T Kaimi Wenger.
-Bridget Crawford

From here:
All Tech contributor Omar Gallaga wrote a great post about rejected names for Apple’s new tablet computer, but I know he didn’t see the iPad coming! Good thing Mad Tv did way back in 2006.
I’m assuming there were no women on the naming team at Apple. Because, hey, when women hear or read the word pad, we think Kotex and cramps. I wouldn’t mind the name so much if I could buy one at my local CVS.
–Ann Bartow
By Sam Berg, excerpted from here:
Published in Rain and Thunder: A Radical Feminist Journal of Discussion and Activism
Winter 2010, Issue #45
“Hi: I’m a writer at The Oregonian in Portland, working on a story about the sex culture in Portland and Oregon. I’m trying to find someone who can talk a bit about the anti-porn movement in the region.”Three hours later we began a tense conversation. In between his email and the agreed-upon time for me to call I jotted down a few bullet points, then promptly forgot to reference them once our conversation found a lively cadence.
He began appropriately enough by probing my credentials. A true radical, I hold no pornstitution-specific degree and work an unrelated day job. His dissatisfaction oozed through the phone. As usual, I referenced loved ones whose lives were ruined (some lives ended) while intimating a reluctance to go into grisly detail and reiterated my years doing on the ground activism.
His first question took the well-worn, “See, she likes it” approach in which a local stripper celeb of the alternormal weekly scene was mentioned and I was asked to catfight respond to Viva Las Vegas’s porn approval. Fortunately, I don’t need bulleted notes to keep men’s demand for pornstitutes front and center, so I flew over Vegas with a prelude about not caring if every employee of Fox News loves their job when the social content of their media is harmful. “Viva Las Vegas”, I said, “is a rational actor making the best decisions for herself. Men who take her picture and choose to caption it, “Dumb cumslut whore” are irrational.”
That’s unprintable in a daily newspaper. The portion of my answer I presumed might make it to print was, “It’s easy to talk about sex, everyone wants to write and talk about sex and the results are all around us. People don’t like to talk about rape for very understandable reasons.”
Moving on from me countering one woman’s opinion, he tells of the time he covered a BDSM conference and spoke to lots of women attendees. He wanted to know what I thought of that. What I thought was he had stopped talking about pornography and was asking me to judge women’s private behavior. From his first question to his second, the logic was a woman-centered loop where so long as some of three billion women can be found to disagree with some other of the three billion women then postmodernist subjectivity wins over the historical miasma of misogyny.
But what people do in their bedrooms is very different from the content and effects of public masturbation media. Once pornographers film, package, market, and put those images into my world I have a responsibility to engage the messages they send.
As if he didn’t hear me, he went on describing how women lined up around the corner for one of the BDSM workshops and when he talked to them they unanimously claimed to love it. Politesse went out the window as I tried to pop him out of his man-invisibilizing rut, “Did you ask any men attending the conference why they liked BDSM?” A slight pause, then a quiet “no” whispered into my ear.
I continued, “Did you ask any man, ‘Why, when you call a woman a bitch, does it give you an erection?’” He guffawed with thick aspiration at the preposterous question, and I kept clinically serious as I drove though his nervous laughter to remind him that BDSM relies heavily on gender-based insults as abuse.
Here he interjected that he has read some Dworkin, and I gave kudos for going where few men are bold enough to go. Dworkin was his segue into devil’s advocating that maybe sex is supposed to be about letting go of conscious thought and giving in to politically incorrect instincts. I made a joke about unexamined lives and the purported quality of living them before sliding into a somewhat froufrou answer about whole person integration and ethical responsibility not ending at the bedroom door. My aim was to give an answer affectedly pretentious enough to squeak into the final article.
By this point nothing unpredictable had occurred. Nothing unpredictable would continue. …
Over at Alternet Vanessa Richmond asks: “Why Do People Want to Have Sex with the 9-Foot Tall Natives in ‘Avatar’?” But by “people” she clearly means men. Here is an excerpt:
James Cameron’s comments in interviews suggest the reaction is actually pretty vanilla, and by design.
Early designs for the Na’vi “were much more alien,” according to Cameron, the creator and director of the movie. In the early drawings of Neytiri, the young female love interest, “she had fins on her back and gills and all kinds of weird protuberances and so on in odd places.”
The beta testing went something like this: “We just kept asking ourselves—basically, the crude version is: ‘Well, would you wanna do it?’ And our all-male crew of artists would basically say, ‘Nope, take the gills out.’ It was pretty simple.”
In other words, Neytiri was created to be a sex fantasy. As one of my male friends said, it’s as if they took Gisele Bundchen and made her even taller with longer legs, and elongated her already slim waist, which is a super signal to the male, of fertility.
Any similar effort to make any of the characters appeal to women? Did Richmond even care enough to ask? She does quote a couple of women in the piece, as follows:
“The only thing i can think of after seeing Avatar is ‘when are they gonna make avatar porn?’ wrote one person on Texts From Last Night. “Is it weird that I found myself thinking of that blue chick from Avatar while [my girlfriend] gave me head after the movie?” wrote another. “lol. im a girl and i agree. i would les out for Neytiri, but i want Jake :)” responded another.
The gender of “one person”? Not clear, though statistically one might assume male, as I suspect the reader is supposed to do. Is “im a girl” really female? Who knows.
Richmond also informs us that the big eyes are sexy because remind folks of babies:
Even the blue part isn’t so strange. As a female friend of mine said, blue is everyone’s favorite color. It’s like water. It would be different if they were diarrhea-colored or yellow or something. That smart friend also said the eyes are key—the Na’vi have big eyes like a baby’s, a creature we’re programmed to find irresistible.
Why does she point out the gender of the source of the observation, her “female friend”? Is it because if she just said “a friend” we would assume she meant a man?
–Ann Bartow
ETA: On a related note, if the “aliens” are not mammals, why do the females have breasts? Rhetorical query, obviously. It is addressed in this essay as follows:
But then, on the absolute other side of the coin is Playboy’s interview with Cameron, which delves into the hotness of the movie’s female stars. And breasts. When asked whether he designed Neytiri specifically to appeal to guys, Cameron replies, “And they won’t be able to control themselves.” (I guess that means yes.) A lot of that appeal, according to Cameron, started with the decision to give the character breasts — even though the Na’vi aren’t mammals.
It’s a tiny passage in a very long interview, but it struck me, I’m sure in part because I’ve read “The Cancer Journals” by American poet Audre Lorde. In it, Lorde writes about undergoing a modified radical mastectomy and how doctors, therapists and random people changed their attitudes toward her when she refused to undergo reconstructive surgery or wear a prosthesis. Cameron’s decision to put breasts on non-mammals makes me wonder — in modern film, does a character have to have breasts to be a woman? Does a woman have to have breasts to be beautiful?
ETA Part II, from here:
So, I am sorry to keep going back to the sex thing, but the second that our hero, Jake, finally gets around to doing it with Space Zoe Saldana, she utters the words – with no small amount of seriousness, might I add – “we are mated for life now.” The VERY MOMENT HE GETS IT IN, she says this. Ladies: do you date dudes? Do any of these dudes like Avatar? Do you think that, at any point, you might have sex with a dude who likes Avatar? Because, if so, you need to say this shit during sex. I know I’m going to. I’ll adopt the deep, tranquil, stalkerly tones of mystical communion, give him the zonked-out blue-person googly-eye, all of it. Just to see how quickly he flies screaming out of the apartment, and whether he bothers to put on pants.
Earlier this month, I blogged (here) about the “No Pants Subway Ride” organized by Improv Everywhere. On my way home from the AALS, I encountered several pants-less riders at the Jay Street Station in Brooklyn. I asked two of them if I could take their pictures for the blog, and then gave them my business card with an offer to send a copy of the picture and a link to the blog post. Later I traded e-mails with one of those pants-less riders, Miriam Rambo (name used with permission). She accepted my invitation to blog about her experiences that day. Here is what the ride was like from her perspective:
About a month ago my parents were in New York visiting me and my younger sister from our northwest home, and showed us these hilarious videos on YouTube by a group called Improv Everywhere. I am no performer so most of their “missions” are way out of my league, but when we saw the “pantsless subway ride”, I thought it was the most hilarious thing I’d ever seen. Genius. In a place like New York, something as light-hearted, carefree and humorous as this, I thought, was brilliant. My sister and I moved to New York very recently, and when we found out that we were just in time for the pantsless subway ride, we knew we had to participate. This would be a story to tell for the rest of our lives.
As a woman, it was an interesting experience, to be sure. I was surprised with how uncreepy people were. I think most either understood that what were doing was meant to make them laugh and lighten moods, or, they thought we were totally whacked and steered clear completely. Of course, there are always one or two people who are going to say something inappropriate, but they were the vast minority.
I think the cops were my favorite – they weren’t really sure what to do – they knew that we weren’t there to harm anyone or cause any trouble, and we weren’t breaking any laws – most couldn’t help but laugh with us, especially when we all convened in the Union Square station- there were HUNDREDS of us. Many of us got great pictures posing with some of the cops – pretty classic.
From what I saw, men took more risks with their choices of undies- which makes sense, since they can basically wear shorts and call it underwear. But for me, that’s kind of what was funny and jarring about doing it – for women, this was such a big thing to “forget” (which is the excuse that many of us gave), so many of us got much more strange looks. For the most part though, women kept their underwear pretty normal (there are always exceptions, of course), so as to illustrate the point that this was to be funny, not offensive or sexually deviant in any way.
Overall, this was an amazing experience. I would do it again in a heartbeat. It was freeing and wonderful to be a part of a group of strangers who are so connected by this light-hearted and fun experiment. I had so much fun. Thank you, Improv Everywhere !
Ms. Rambo’s reflections convey the same sense of joy that the NY Post’s photos (here) do. One of those photos (shown above left) captures Ms. Rambo and three friends enjoying the atmosphere in the Times Square subway station.
-Bridget Crawford

Left: the NY Times image; Right: the original image
From Gothamist:
By yesterday evening the Paper of Record published not one, but two takedowns of women — somewhat unsurprisingly, both centered around weight and penned by the fairer sex. The stage for the scrutiny was the Golden Globes red carpet, which many an actress strolled down on Sunday night.
The first piece, written by Andy Port (yes, a woman), declares that Jennifer Aniston, Courtney Cox and workout queen Kate Hudson have all “put on a little weight.” Though she says they are “sporting sexier curves” she then goes on to say it’s concentrated in their upper arms.
Then, Cathy Horyn decides to take down the gorgeous Christina Hendricks — the Mad Men actress known for her sexy curves… which are decidedly not concentrated in her upper arms. In her piece she writes, “Not pretty Christina Hendricks in Christian Siriano’s exploding ruffle dress. (As one stylist said, ‘You don’t put a big girl in a big dress.’)” Whether you agree or disagree (you disagree, right?), it should be noted that the photo running with Horyn’s piece was most definitely distorted, possibly to (falsely) illustrate her “point.” …
–Ann Bartow
Regina Austin (Penn) has posted to SSRN her book chapter, “Women’s Unequal Citizenship at the Border: Lessons from Three Nonfiction Films about the Women of Juárez,” forthcoming in Gender Equality: Dimensions of Women’s Equal Citizenship, edited by Linda McClain and Joanna Grossman. Austin is the William A. Schnader Professor of Law and the head of the Program on Documentaries and the Law at the University of Pennsylvania Law School.
Here is the abstract of Professor Austin’s chapter:
There is no better illustration of the impact of borders on women’s equal citizenship than the three documentaries reviewed in this essay. All three deal with the femicides that befell the young women of Ciudad Juárez, Mexico between 1993 and 2005. Juarez is just across the border from El Paso, Texas. Performing the Border (1999) stimulates the viewer’s imagination regarding the ephemeral nature of borders and their impact on the citizenship of women who live at the intersection of local, regional, national and international legal regimes. Señorita Extraviada (2001) is an intimate portrait of the victims which illustrates why the private grief of their survivors should have been a cause for public national mourning. Finally, Battle of the Crosses (2005), the work of social scientists, offers a panoramic description of the complicated social terrain on which the Juárez femicides occurred and their meaning was fought over. Together, the films suggest how borders are constructed and “performed” through law and law enforcement in ways that jeopardize women’s rights as citizens. The films also show how women in turn challenge law and law enforcement to transcend the limitations of social, political, and economic borders and assert their right to equal citizenship.
Confronted with state intransigence in the face of the murders of dozens of young females, the women of Juárez used their traditional female roles as a springboard to political engagement. Overcoming the debilitating effect of class and ethnic marginality, patriarchal mass violence, and governmental corruption and lack of accountability, the women turned back the state’s effort to belittle the murders as private matters and the victims as deserving of their fate. The documentaries together provide a vivid case study that proves the importance of understanding the synthetic quality of borders and their relationship to women’s equal citizenship in a globalizing world where borders can pop up anywhere and at anytime.
The full chapter is available here.
For more on the Juárez murders, see prior posts here, here and here. For the important decision by the Inter-American Court of Human Rights, see here.
-Bridget Crawford
There is so much wrong with this, just the thought of trying to unpack it makes me tired and depressed. Read at your own risk.
–Ann Bartow
Over the recent holidays I went with my family to see the Disney filmThe Princess and the Frog. As many of you know, it features a character who has been billed as Disney’s “first black princess,” Tiana. My whole household had eagerly awaited this as we are to a person enamored of magic and are especially fond of Disney animated magic. My daughter was particularly keen on going, not because the princess was going to be black but because for her any princess is a good thing— I am of like mind (yeah, I’m just a girly girl at heart). That’s why I was so sorely disappointed at the film. Movies are supposed to be fun and escapist. This movie struck me as just the opposite, and it has taken me days to mull over my feelings. (Warning: some spoilers below.)
Tiana is established at the outset as a shadow princess, one who is eclipsed by an actual princess. The film opens with two little girls, one white, one black, sitting and listening to a story. Charlotte (rhymes with Scarlet), the white child, is depicted as spoiled and demanding but cute and sweet (gee, how to be all of that at once?). Charlotte is dressed in princess finery while Tiana, the black child, bears but one indicia of royalty: a crown that seems to have been borrowed from the white child. As the scene expands we learn that the story is being read by the black seamstress mother of the black child and that the black child has accompanied her mother to the large, beautiful and indeed almost castle-like home of the white child in order to make for the white child yet another of what we learn are oodles of fine dresses. Job over, the seamstress and her daughter exit and go out and catch the street car back to their modest home in the black part of New Orleans where we see that Tiana is part of that now elusive social phenomenon, the Intact Black Family. Yes, there is a Dad! But he conveniently disappears early in the film, apparently a casualty of World War I. Nobody says so exactly, but the characters seem to sigh over a picture of Dad in his Doughboy uniform and intimate that he isn’t coming back, offering an extremely fuzzy epitaph. Combat death is just too real for the folks in the Magic Kingdom–so I’ll say it for them, borrowing from Joseph Conrad by way of T.S. Eliot—Mr. Dad, he dead. Of course, being orphaned or partially orphaned is a common trope in fairy tales. But why introduce the Dad at all?
Throughout watching Avatar, I kept thinking, “What would be different about the story if the sexes of the main characters were different? What if the lead were a woman, and her love interest, the Pandoran local, were a man?” That might have made Avatar a feminist movie, but otherwise, I’d disagree with Rebecca Keegan of Vanity Fair who argues it’s a feminist film. I’d agree more with Lauren Bans of XX Factor, who questions (here) what a “feminist” movie is.
The women are not the drivers of the story, a critique levied (here) against Nancy Meyers by Daphne Merkin in the NY Times recently. More importantly, each person’s role fits neatly within his or her sex identity. On whether Avatar is “feminist,” I’d agree more with Lauren Bans of XX Factor, who questions what a “feminist” movie is. In Avatar, there’s no breaking out of sex stereotypes, and for me, that’s its failure.
-Darren Rosenblum
Today was the “No Pants! Subway Ride” in New York and other cities. It’s now an annual tradition — “organized” by Improv Everywhere, a group devoted to creating “scenes of chaos and joy in public places.” The group’s history of the “No Pants!” ride is here.
This afternoon, I encountered several pants-less riders at the Jay Street subway station in Brooklyn. I asked permission of two of the female participants and then snapped their photo (at left).
I must admit that the riders’ pant-less state was not what first attracted my attention. I was focused on the socks worn by the woman at the far left, mentally noting the similarity of her look with the look of the Brooklyn Cyclones cheerleaders (blogged here). Then I noticed that her shorts were significantly shorter than the cheerleaders’ shorts. Oh, wait….She didn’t have on any pants at all!
When the A train arrived, the passengers crowded on but the pants-less remained on the platform, likely waiting for the next train. Once inside the train car, I overheard one man ask the other, “What’s that about?” ”I don’t know, but I like it,” answered the second man.
I’d be interested in hearing about the experiences of the pants-less riders. I’m guessing that HappyFeminist said it well in this tweet:
Re: No pants subway ride: Ladies, if you want to go, go. Creepo’s [sic] will bug you on the subway anyway, pants or sans pants.
That’s why there are sites like HollabackNYC , where women can post cell phone photos of men who harass them on the streets and subways.
-Bridget Crawford
Here. She is retiring, she has not passed away thank goodness. A short clip:
Now, when people ask what are you going to do next, I am tempted to co-opt Susan Stamberg’s one-word answer when she left her anchor post at NPR: “Less.’’
Didn’t always agree with Goodman but respected the hell out of her. I hope she continues writing.
–Ann Bartow
That’s a phrase taken from this interesting post entitled “Sexual Orders” by Mark Liberman at Language Log.
Jessica Roy lays it down here at Broadsheet.
image source: smartwomencompany.com

As a holiday gift-giver, I acknowledge my share of “hits” and “misses” — sometimes with the same gift. One family member never met a gift certificate she didn’t like. Another considers a gift certificate the ultimate in impersonality. In the context of repeat gift-giving (such as to family members), a giver can learn by error and usually beg forgiveness with protestations of good intentions. The donee can enjoy the gift certificate anyway. Not so with passive-aggressive holiday gifts, though. The donor intends discomfort and the donee will throw or give the gift away.
What is a passive-aggressive holiday gift? In my experience, it typically comes from a former intimate, a “friend” or a frenemic (i.e., frienemy-like) co-worker. It’s a gift given with the dual intentions of (a) meeting a socio-cultural expectation and (b) making a snarky (or worse, unkind) comment. The gift recipient typically is a one-time (not repeat) recipient (such as one assigned through an office secret-Santa draw). The giver usually offers one of two possible defenses to any expression of scorn from the social network: ”It was a joke,” or “I didn’t mean it as a joke.” The donee must be have some expectation good intentions on the part of the giver. Most importantly, the transfer’s passivity-aggressivity arises out of the nature of the relationship between the donor and the donee. That is, what qualifies as a passive-aggressive if transferred by A to B might not be passive-aggressive if transferred by A to C.
A few examples illustrate the point:
Example #1: Party 1 and Party 2, former intimates, have a disagreement. Party 1 says to Party 2, “For someone who claims to be so smart, you sure are stupid.” Shortly thereafter, Party 1 gives Party 2 the “Smart Women Crave Good Company” glasses above.
Example #2: Party 3 and Party 4 are colleagues and social acquaintances. Party 3 is a 70-year old male who is known around the office for making sexist remarks. Party 4 is a 25-year old female who started work at the company last year. Party 3 and Party 4 are both friends with Party 5, who recently invited them both to a holiday gift exchange. Party 3 gives Party 4 a coaster bearing the “Rosie the Riveter” image above and a note that reads, “You seem so interested in women’s rights.”
Example #3: Same facts as Example 1, but no harsh words are spoken by Party 1 to Party 2. Party 1 gives Party 2 the “Smart Women Crave Good Company” glasses to celebrate the publication of Party 2’s book.
Example #4: Same facts as Example 2, except Party C is a 70-year old male who is known around the office for his support of progressive women’s causes.
My advice? Go with the gift certificate.
-Bridget Crawford
P.S. I don’t own either the glasses or the coaster. Anymore.
If you don’t know what I am talking about, it’s your loss. A cautionary tale, might I add.
–Ann Bartow
Franco-American author Jonathan Littell has won the Bad Sex In Fiction Award for a book that had previously scooped France’s top literary award.
“The Kindly Ones”, a World War II saga originally published in French under the title “Les Bienveillantes”, won the Prix Goncourt in 2006 but it was only translated into English this year.
Judges at the London-based Literary Review magazine awarded Littell the tongue-in-cheek award on Monday for prose describing sex as “a jolt that emptied my head like a spoon scraping the inside of a soft-boiled egg.”
He emerged victorious from a field including literary heavyweights Philip Roth (“The Humbling”), Paul Theroux (“A Dead Hand”) and rock star Nick Cave (“The Death of Bunny Munro”).
Cave described nipples which were “the size and texture of liquorice Jelly Spogs” and at one point a character in the book pleads with her partner to “pray, pray at my portal.”
In Roth’s work, one character “appoints herself ringmaster and would not participate until summoned.”
The Literary Review noted that both Littell and Roth incorporated mythology into their sex scenes — the winner used images of “a Gorgon’s head” and “a motionless Cyclops.” …
It’s hard to miss the misogyny in those authors’ works. A negative view of women leads to bad sex writing, as well as bad sex generally.
–Ann Bartow
Cleaning products company Method has apologized for its controversial “Shiny Suds” video, which depicted fratboy-like chemical bubbles harassing a bathing woman, and has pulled the video from all “controlled sources.” We’ve still got it, though, plus a statement from Method.
The video was part of a campaign the natural cleaning products company launched to support the Household Products Labeling Acts, which would require full disclosure of harmful chemicals in cleaning products. Method hired Droga5, an agency known for its successful use of digital and viral video campaigns. It went viral, all right, but probably not in the way the company hoped.
We’ve been getting emails all week from disgusted consumers, who were put off by the image of a woman cowering naked in the shower, victimized by her use of chemical-based products. As Hortense put it when she posted the video last weekend,
“I’m really tired of the “advocacy” that relies upon humiliating women to push a point (see also: PETA). Why couldn’t the dirty bubbles get drunk on their own chemicals and trash the bathroom? Why couldn’t they leave graffiti all over the shower walls? Why couldn’t they “move in” and start stinking up the place? Why does a woman have to get in the shower and get naked in front of a bunch of pervy bubbles, who essentially tell her she deserves it for putting them there in the first place (sound familiar?) so that Method soap can scare us all into switching over from Scrubbing Bubbles? The woman is seriously humiliated by the bubbles, who compliment her on her “core” and scream “Loofah! Loofah!” over and over again as they watch her wash up. It’s supposed to be funny. So why does it make me feel so gross?”
I blogged about the commercial here, and as you can see from the appended comments, there was a lot of negative reaction to it. It’s no longer available via YouTube but Jezebel has a working copy of the ad here.
–Ann Bartow
Does hatred of women know no boundaries? Apparently not:
I recently got a press release from the makers of Linger, an “internal feminine flavoring” that promises to keep your vagina in mint condition. Think of it as an Altoid for your lady parts or, as its website explains, “A small, naturally sweetened flavoring, free of artificial dyes, which was created to flavor the secretions of a woman when she is sexually aroused.” What…the…?! …
… So how does Linger manage to pass off breath mints as vaginal Tic Tacs in $7.99 packs? Despite the salacious creation story and testimonials on its site (“It gets a little warm as it starts to dissolve which took just under an hour. Then, it is SO good!!”), the mint is labeled “for novelty use only.” This is a common practice in the sex-products industry, explains Charlie Glickman, the education program manager at Good Vibrations. It gives manufacturers some cover if something goes awry, he explains. “They could say, ‘It’s just a novelty toy. You weren’t actually expecting to use this were you?’” And if you actually do expect to use Linger to “flavor the woman in a manner that is safe and effective,” be warned: its primary ingredient is sugar, which is not safe for the vagina. It messes up the pH and can lead to a really painful yeast infection, a condition that definitely doesn’t make someone want to “linger.”
I’d advocate agreeing to insert a mint only after a male partner leads by example.
–Ann Bartow
Really informative, interesting post by this title here at the FWD/Forward blog.
The actual title of the paper is: “Marital partner and mortality: The effects of the social positions of both spouses,” by Robert Erikson and Jenny Torssander
Abstract:
Background: Individual socioeconomic position -like education, social class, social status, and income -are all associated with mortality. Inequalities in death also appear along household measures. It is however less clear how the socioeconomic position of one marital/cohabiting partner influences the mortality of the other partner. We examine the independent effect on mortality of own and partner’s positions regarding these four socioeconomic factors.
Methods: Register data on education, social class, social status, and income of both marital/cohabiting partners were collected from the 1990 Census of the employed Swedish population aged 30-59 (N=1 502 148). Data on all-cause mortality and deaths from cancer and circulatory disease for the subsequent period 1991-2003 were collected from the Cause of Death Register. Relative mortality risks were estimated by Cox regression.
Results: All-cause mortality of both men and women differs by women’s education and status and by men’s social class and income. For men, the wife’s education is more important for the mortality risk than his own education, when the man’s social class is included in the model. For women, the husband’s social class yields larger mortality differences than own occupational measures. Women’s education and men’s social class are particularly important for women’s deaths from circulatory diseases.
Conclusion: The partner’s social position has a clear independent association with individual mortality, and women’s education and men’s social class seem to be particularly important. Suggested explanations of health inequality are not always compatible with the observed relationship between partner’s social and economic resources and mortality.
The entire research report is accessible here (PDF). From the discussion:
Many of the mechanisms suggested as explanations for the connection between the individual position in the stratification structure and mortality—for example, life course strain, status31 and intelligence cannot easily be related to the position of the partner. For example, the IQ hypothesis seems to receive support from the important role of education, but this hypothesis is difficult to reconcile with the weak effect of men’s education when their partner’s education has been controlled for. The background of, for example, large mortality risk differences between social classes and income groups could be based on cumulative effects of experiences over the life-course, even starting before birth, but how should the effects of the partner’s education and occupation be interpreted from a life course perspective? Furthermore, it is difficult to estimate the importance of Marmot’s status syndrome from our results, since status, in his interpretation, is related to almost any hierarchical relation in the social structure. Can we assume that it is also applicable to the partner’s positions? It seems to us that lifestyle and material conditions are the factors most easily reconciled with the results presented here, as partners can be assumed to share lifestyle and women may to a greater extent than men determine the lifestyle of the family, while men stand for most of its economic resources.
It is clear that none of the hypotheses about why there are social differences in mortality between people in different social positions can be ruled out by our results. It is also clear that while all of them may stand for some part of the association, our results suggest that none of them can be assumed to account for a large part of it. However, specific partner characteristics like women’s education and men’s social class are clearly influential beyond own position and other partner characteristics. These more specific mechanisms linking a partner’s socioeconomic position to an individual’s own longevity need to be more carefully studied.
The results of this study have gotten distorted by many different accounts in the mainstream media, as is so common with anything scientific that seems to support the notion that women and men are very different from each other.
–Ann Bartow
Check out Stiletto Revolt for a stunning collection of ads with phallic imagery. Two examples below:


–Ann Bartow
The “Films for the Feminist Classroom” Collective has made available (here) its second issue of its review periodical. Here’s a general description of the periodical:
Films for the Feminist Classroom (FFC) is an online journal hosted by the Rutgers-based editorial offices of Signs: Journal of Women in Culture and Society. FFC publishes film reviews that provide a critical assessment of the value of films as pedagogical tools in the feminist classroom. Interviews with directors and producers of feminist film are also included in FFC issues. FFC endeavors to become a dynamic resource for feminist teachers.
The second issue includes reviews of
The Collective invites proposals for future film reviews for future issues. More info is available here.
-Bridget Crawford
YouTube commenters are writing things like “I WOULD FUCK HER UP!!!!!…what a bitch!” and “Bitch. Kill her!” apparently without irony. A number of copies of this or related video clips are titled with references to “cat fights.” This NYT article questions what role the coach and referees played in allowing or even encouraging the violence, but never puts the level of violence into context. Watch this video, and this one. Men play soccer very aggressively too. Doesn’t make the violence okay, but it makes the current media focus on one woman player odd to say the least.
–Ann Bartow
ETA: See also.
From a post entitled “Coffee and Consent” at Female Impersonator:
From Until Someone Wakes Up, a play written by Carolyn Levy and a group of Macalester College students:
Waiter: Would you like some coffee?
Woman: Yes, please.
Waiter: Just say when. (Starts to pour.)
Woman: There. (He keeps pouring.) That’s fine. (He pours.) Stop! (She grabs the pot; there is coffee everywhere.)
Waiter: Yes, ma’am.
Woman: Well, why didn’t you stop pouring?
Waiter: Oh, I wasn’t sure you meant it.
Woman: Look, of course I meant it! I have coffee all over my lap! You nearly burned me!
Waiter: Forgive me, ma’am, but you certainly looked thirsty. I thought you wanted more.
Woman: But -
Waiter: And you must admit, you did let me start to pour.

Watch the actual photo shoot at this site, then see if you can figure out what has been changed. Via.
–Ann Bartow
Via TGW: In this Vanity Fair article, Nell Scovell talks about the sexual politics and “hostile work environment” that she experienced while writing for David Letterman.
–Ann Bartow
I’ve never really been a Law and Order fan. The combination of the sensationalistic (not to mention completely uncreative) “ripped from the headlines” approach as well as Sam Waterson’s sleepwalking/drunk/both acting style has kept me from watching it. But I know a lot of people love it (including my wife!) and somehow, almost 20 years after it started, it’s still relevant.
Which is why the show’s recent episode about the murder of an abortion doctor (clearly based on Dr. Tiller’s murder earlier this year) is so concerning. The episode aired Friday and there’s been a lot of great commentary about it. Kate Harding has a good take at Salon as does Charlotte Taft at RH Reality Check. And I’ll quote the conclusion from Jen Boulanger’s article at Women & Hollywood:
There were so many opportunities for the writers to present the humane side of women faced with complicated pregnancies. But instead we see respected characters on a beloved TV series cast aspersions on women. This is deeply stigmatizing, even worse than how anti-abortion protesters shame women in front of clinics every day in this country. This show did nothing to enhance the complexity of depth of women’s true experiences and only added to the sensationalism and stigma that already exists for women facing these decisions.
NBC should be ashamed for dishonoring the memory of Dr. George Tiller, a man who embodied principles of goodness, kindness, respect, and faith; and for dishonoring the women he helped, whose values told them that the best way to honor themselves and to spare suffering to the doomed life they carried in pregnancy was to end that life. There was no dignity for either of them in this program.
- David S. Cohen
Barbara Ehrenreich has a great debunking of a study that purports to show that women have become unhappier since 1972 – - – as a result, most likely, of feminism. Ehrenreich writes that the statistical variable (one percent) is not significant, especially when the measurement is of something as “slippery” as happiness. Moreover, the “objective” measurement of suicide rates does not support the conclusion of declining women’s happiness.

Barbara Ehrenreich
The fuss, according to Ehrenreich is well-timed. The two-year old study has become
a launching pad for a new book by the prolific management consultant Marcus Buckingham, best known for First, Break All the Rules and Now, Find Your Strengths. His new book, Find Your Strongest Life: What the Happiest and Most Successful Women Do Differently, is a cookie-cutter classic of the positive-thinking self-help genre: First, the heart-wrenching quotes from unhappy women identified only by their email names (Countess1, Luveyduvy, etc.), then the stories of “successful” women, followed by the obligatory self-administered test to discover “the role you were bound to play” (Creator, Caretaker, Influencer, etc.), all bookended with an ad for the many related products you can buy, including a “video introduction” from Buckingham, a “participant’s guide” containing “exercises” to get you to happiness, and a handsome set of “Eight Strong Life Plans” to pick from. The Huffington Post has given Buckingham a column in which to continue his marketing campaign.
Ehrenreich’s new book, Bright Sided: How the Relentless Promotion of Positive Thinking has Undermined America, takes up these themes. Although not always as explicitly feminist as I would have liked, Ehrenreich mounts a popular and devasting critique of the ubiquitous emphasis on “being positive.” Being positive has come to mean not only eschewing the negative, but the rejection of critiques of the status quo. If you are unhappy with the situation, change your attitude!
She traces the “positive thinking” idea to the 1860s rejection of Calvinism and discusses some of its current manifestations including psychological studies of happiness, medical care, corporate “motivation,” the current economic turmoil, and mega-churches (“God wants you to be rich!”).
It’s a relatively short and important book, worth reading. I discuss it further, including some of the academic and legal ramifications, on ConLawProf blog here.
- Ruthann Robson
See this post at Tennessee Guerilla Women (the frat boyz at Pepsi provide a little how-to manual to help frat boyz “score” with 24 “types” of women.)
For similar posts at this blog go here, here and here.

–Ann Bartow

Actual “show your school spirit” shirt sold by students to “support team.”
Via an anonymous and concerned parent.
ETA: To be clear, the parent is not anonymous to me, s/he simply prefers not to be named. Another artifact from the same rivalry, taken from the Jezebel comments thread:

–Ann Bartow
ETA2: The shirt was discussed by the Houston media, see e.g. here, here and here. For an eloquent exposition on rape jokes, go here.
Over at the Huffington Post (here), Marcus Buckingham explains reports of (white) women’s declining happiness (previously noted by Ann here and here, for example). He says, “The hard-won rights, opportunities, and advantages were supposed to have netted women more than just another burdensome role to play — ‘you at work.’” A column in today’s Double X takes issue (here) with Buckingham (and Maureen Dowd’s related NY Times column):
Women are in the workforce in greater numbers, and men do more of the housework. But things haven’t changed nearly enough. It turns out, the problem isn’t that we have too many options—it’s that they all suck. Without real accommodations for working women, the choices are all still pretty disappointing. It may feel as if we should be done with “work-life issues”—the term itself sounds so ’90s, evoking upbeat, pre-BlackBerry workshops. But we still haven’t fully confronted, let alone resolved, the unpleasantness of trying to do too much at once.
Let’s also not forget that Mr. Buckingham has a book to hawk, too. Some women may have come to the conclusion that they don’t need a man to make them happy, but the marketing for Mr. Buckingham’s Find Your Strongest Life assumes that we all need a man to explain why we’re unhappy.
Blech.
-Bridget Crawford
Here’s a curious and alarming excerpt from this incredibly sycophantic article:
Her father lent his support to causes like birth control and abortion rights, but activism was at her core. She campaigned for the Equal Rights Amendment and gay rights and was chairwoman of a drive that raised $30 million for an AIDS treatment and research clinic in Chicago. Gloria Steinem, who made sport of attacking Hef (“a woman reading Playboy,” she once said, “feels a little like a Jew reading a Nazi manual”) brought Ms. Hefner onto the board of Voters for Choice.
Ms. Hefner lives in Chicago and is heavily involved in politics. She has donated $201,000 to Democrats and liberal causes over the last 30 years, according to federal data collected by the NewsMeat Web site. “It’s not unusual for someone running for Senate in Illinois to come see me,” she said.
For 25 years she was on the board of the Magazine Publishers of America, and in 2005 arranged for one networking friend, Barack Obama, to speak at its annual conference.
So Barack Obama is more than happy to take her porn money and her phone calls. Great. And what to make of the sentence: “Gloria Steinem, who made sport of attacking Hef (“a woman reading Playboy,” she once said, “feels a little like a Jew reading a Nazi manual”) brought Ms. Hefner onto the board of Voters for Choice.” Unsubtle (not to mention false) implication that Steinem is perfectly fine with pornography now. I notice she apparently wasn’t interviewed for the piece, though.
The only references to the hardcore porn that is now the mainstay of the Playboy corporation were these two sentences: “She stayed 33 years, building a profitable Internet operation and creating a $1 billion brand licensing division that is the company’s biggest profit maker. While Hef bragged about not crossing the line into hard porn, she did, buying Spice TV and Club Jenna and defending the move as business. Interesting to contrast that with Supposedly Very Liberal Dood Victor Navasky’s description of her in the article:
“She’s certainly a liberal feminist and a liberal Democrat,” said Mr. Navasky, former editor of the liberal Nation. “People would say, ‘so what’s she doing putting out a magazine and running clubs catering to horny men?’ But she found a way to make it work consistent with her values, to serve Playboy and her father and give them an opportunity to do socially useful things.”
Consistent with her values, according to the article: “She recently signed a deal with the Canyon Ranch resorts to build a brand-licensing business for health products modeled on her efforts with the Playboy brand.” Consistent with her values, I’m wondering how healthy those products are actually going to be.
–Ann Bartow
ETA: Coverage of the NYT article and of this post at Jezebel contains the surprising observation that “…Playboy Enterprises represents a very corporate end of the porn spectrum. Annie Sprinkle they are not.” Given that Playboy is a privately held company, not all of its involvement with pornography is easily ascertainable. Some of the pornography associated with Playboy may be on the less vile end of the porn spectrum. However, the Playboy corporation also produces and distributes large quantities of hardcore pornography chock full of violent and degrading acts, but they do so under subsidiary trademarks, because, according to a 2002 NYT article about Christy Hefner, “the racier fare ‘is a complementary and separate business from the Playboy business’—one in which the Playboy logo and brand” are obfuscated. Playboy also owns hardcore pornography cable channels such as The Hot Network, Vivid TV and The Hot Zone. The movies on these channels are advertised with descriptions like: “a comical adventure with 10 of the nastiest sex scenes ever filmed!”
That’s the theme of a new breast cancer “awareness” campaign, and Kate Harding is not amused. Here’s an excerpt from her fantastic post at Jezebel:
… This boobtastic Rethink Breast Cancer ad “and a couple more like it,” according to the LA Times’s Dan Neil, “seem to answer a question that must have nagged breast-cancer-awareness advocates: How to get men to care? With rare exceptions, men don’t suffer from breast cancer. The earnest, sad-violins spots invoking moms and grand-moms of the past probably haven’t gained much traction among men.” Of course not! Why would we ever expect men to care about their moms and grand-moms dying of cancer if the issue isn’t marketed to get their attention? (And they say feminists have pathetically low expectations of men.) Says Neil on behalf of Dude Nation, “These ads make the equation explicit: More breast cancer equals fewer awesome breasts. Brilliant. Where do I send my check? The only people who could object to such ads are advocates for other kinds of cancer awareness. ”
Setting aside the implication that the average straight male has thus far been too fucking stupid to connect the dots between breast cancer and “fewer awesome breasts” — what was I saying about low expectations? — there’s actually a pretty good reason to object to the ads, regardless of any affiliation with other cancer awareness projects. However devastating mastectomies may be, the somewhat larger point here is that breast cancer equals fewer awesome women. And if that point is lost on Dude Nation, the problem is not with the ads, it’s with a culture that says women’s primary value lies in our sexuality. I mean, seriously, is it even possible to illustrate that any more clearly? Dead human beings of the female persuasion = meh. Lost tits = crisis! …
–Ann Bartow
In a previous post I posed the question:
Why is less educational achievement and diminished career success making men happier?
Over at Language Log the “happiness paradox” data is debunked:
If we sum up all the GSS responses across years, we get these proportions of answers to the question “Taken all together, how would you say things are these days — would you say that you are very happy, pretty happy, or not too happy?”
Very happy Pretty happy Not too happy Male 31.2% 56.7% 12.1% Female 32.4% 55.1% 12.5% In the responses for 1972, 1973, and 1974 (the earliest dates available), the overall proportions were:
Very happy Pretty happy Not too happy Male 31.9% 53.0% 15.1% Female 37.0% 49.4% 13.6% In the responses for 2004, 2006, and 2008 (the most recent dates available), the proportions were:
Very happy Pretty happy Not too happy Male 29.8% 56.1% 14.0% Female 31.2% 54.9% 13.9% The best way to describe this, I think, would be to say something like:
In the early 70s, women self-reported their happiness at levels somewhat higher than men did. Specifically, 5.1% more of the women reported themselves “Very happy”, while 1.5% fewer reported themselves “Not too happy”.
30-odd years later, in the mid 00s, women’s self-reported happiness was closer to men’s, though it was still slightly higher. 1.4% more of the women reported themselves “Very happy”, while 0.1% fewer reported themselves “Not too happy”.
To Arianna Huffington, this means that “women are becoming more and more unhappy”, while “men … have gotten progressively happier over the years”. To Maureen Dowd, this means that “Before the ’70s, there was a gender gap in America in which women felt greater well-being. Now there’s a gender gap in which men feel better about their lives.” Ross Douthat described these numbers with the generalization “In postfeminist America, men are happier than women.”
All of these statements are either false or seriously misleading. Maybe, if you look at the data through a sophisticated statistical model, you can support a conclusion about the relative signs of the long-term-trends for males and females. But any way you slice and dice it, there’s not much there there.
–Ann Bartow

… The eighth of 12 children, the sergeant major is the daughter of a sharecropper who grew cucumbers and tobacco near Fort Bragg, N.C. Her first job in the Army was as a postal clerk, a traditional position for women in those days.
She says she regrets not having been deployed to a war zone during her 29-year Army career, though she has trained many soldiers who were. And now, in her new job, she will have significant influence over the basic training of every enlisted soldier.
Last year the Army consolidated several drill schools into a single campus at this sprawling post, meaning Sergeant Major King, with her staff of 78 instructors, will oversee drill sergeant training for the entire Army.
Famous for their Smokey Bear hats, booming voices and no-nonsense demeanor, those sergeants transform tens of thousands of raw recruits into soldiers each year. It is one of the backbone jobs of the military, and having a woman in charge underscores the expanding role of women in the Army’s leadership.
But Sergeant Major King’s ascension is also a reminder of the limits of gender integration in the military. Just 8 percent of the active-duty Army’s highest-ranking enlisted soldiers — sergeants major and command sergeants major — are women, though more than 13 percent of Army personnel are female. …
Recently, in large French city, a poster featuring a young, thin and tan woman appeared in the window of a gym. It said:
¨THIS SUMMER DO YOU WANT TO BE A MERMAID OR A WHALE?¨
A middle aged woman, whose physical characteristics did not match those of the woman on the poster, responded publicly to the question posed by the gym.
To Whom It May Concern:
Whales are always surrounded by friends (dolphins, sea lions, curious humans).. They have an active sex life, they get pregnant and have adorable baby whales. They have a wonderful time with dolphins stuffing themselves with shrimp. They play and swim in the seas, seeing wonderful places like Patagonia, the Barren Sea and the coral reefs of Polynesia. Whales are wonderful singers and have even recorded CDs. They are incredible creatures and virtually have no predators other than humans. They are loved, protected and admired by almost everyone in the world.
Mermaids don’t exist. If they did exist, they would be lining up outside the offices of Argentinean psychoanalysts due to identity crisis. Fish or human? They don’t have a sex life because they kill men who get close to them not to mention how could they have sex?
Just look at them…..where is IT ? Therefore, they don’t have kids either.. Not to mention who wants to get close to a girl who smells like a fish store?
The choice is perfectly clear to me; I want to be a whale. …

Ugh: